Our icon closely follows the iconography of the Kazanskaya. The Virgin gazes at the onlooker with her head inclined to her left, towards the Christ-child. Christ is standing before the...
Our icon closely follows the iconography of the Kazanskaya. The
Virgin gazes at the onlooker with her head inclined to her left, towards the
Christ-child. Christ is standing before the Virgin. The Virgin of Kazan or Kazanskaya
is a variant of the celebrated Byzantine Hodegetria. The oldest Russian
variation of the Hodegetria is the Virgin of Vladimir, and over the centuries various
versions of this icon arose, often linked to geographical locations in Russia
such as the Tikhvinskaya, Smolenskaya, etc. The intimate close-up of the
head and arms makes the icon especially direct. The eyes of the Virgin are wide
open in sorrowful contemplation and she is not looking at Christ but addresses
her gaze to the person praying in front of the image.
In Russia, the Kazanskaya, the Tikhvinskaya, and the
Vladimirskaya derive from the Umilenie type. The Kazanskaya it was
widely venerated in the 16th and 17th centuries especially as an image for
personal prayer in home chapels or monastic cells. Such icons were normally
decorated with oklads or revetments. The small pinholes on our icon
indicate it once had such a covering which has now been lost.
In the late
16th century, according to church tradition, a vision of the Virgin in the form
depicted here appeared to a young girl in the city of Kazan. From this time on
the Kazanskaya becomes the most widely venerated image of the Mother of
God in Russia, however the original miraculous icon was lost in 1904. It became
extremely popular in the 18th and 19th centuries and many
hundreds, if not thousands, of copies were made of which this image is an example.
However, our icon predates the widespread popularity of this type – making it a
rare early example and its similarities can be seen with icons that have contemporaneous
dating.