Ethiopian crosses have a unique shape when compared with Egyptian Coptic crosses with arms that are broader compared to the slender arms of Egyptian crosses. They often feature elaborate designs,...
Ethiopian crosses have
a unique shape when compared with Egyptian Coptic crosses with arms that are
broader compared to the slender arms of Egyptian crosses. They often feature
elaborate designs, including intricate lattice patterns, geometric shapes, and
symbolic motifs such as the Ethiopian cross motif or the Solomonic design,
which are distinct to Ethiopian Christian art. Crosses from different regions
of Ethiopia may feature distinct stylistic characteristics, with some
displaying intricate filigree work and elaborate detailing, while others boast
simpler, more geometric designs.
The history of Coptic
metal crosses dates to the early centuries of Christianity in Egypt, where the
Coptic Church flourished alongside the rise of monasticism in the desert
regions. Initially crafted as sacred objects for religious worship, these
crosses evolved over time to become symbols of Coptic Christian identity and
faith. They often incorporate Christian symbols such as the cross itself,
representations of the crucifixion of Jesus Christ, and the ankh, a symbol of
life and eternity. These crosses are revered as symbols of Christian devotion
and are commonly displayed in homes and used in religious ceremonies.
For a general
introduction to Ethiopian crosses see the Bowers Museum, Santa Ana California. [1]
Collection of the late Paul Manousso. Paul Manousso was born in Athens in 1930. A scholar at the Architectural Association, he joined the British School of Art and Archaeology in Rome. He became a prize-winning architect in London and later lived in New York as a full-time artist. Much travelled, he had an international reputation.